crazy, sexy, cool

I may be dating myself in reference to this album but that’s what this week has been. A good thing, maybe, as these past few days, my fingers have been busy tapping the sides of a coffee cup, not a keyboard. But all that caffeine and hanging out hasn’t been for nothing, as I’ve been quite the serendipitous slacker of late.
crazy - the crostis descent
When people told me this year’s Giro looked crazy, I didn’t fully comprehend what they meant. With the death of Wouter Weylandt, and stages that look like they could fit into the Spring Classics, the Giro has been both sobering and surreal. To add to the general insanity of it all, comes this article, which states, in part:

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The descent of the Crostis worried Contador more than the climb to the finish on the Zoncolan. He admitted he had never seen anything like the dirt road section at the top and the near vertical drop off at the side of the narrow road. “It scares me,” he told Gazzetta dello Sport who followed him during his ride.

He was told that the race organisers will erect safety nets to catch any riders that may crash on the descent but said: “That doesn’t go close to the limit, it goes over it.”


Nets? ...Really?
sexy - pave.cc
I’ve been lucky [serendipitous?] enough to meet a lot of amazing cyclists at Ride.Studio.Cafe. Last weekend, Neal regaled me with stories of climbing the French Pyrennes [with a standard double crank] and at one point jerked a thumb over his shoulder at an impossibly slim cyclist named Raphael.
“I’m trying to get him to drink vegetable oil,” Neal said, “he’s killing us on the climbs.”
A few days later, I walked in to find out that Raphael’s friend is opening Pave Culture Cycliste, a shop that has most all of the RSC regulars and employees [sorry, Rob] making plans to move to Barcelona. The store closes from 1.30 to 5.00 for a group ride that heads out at 2.15. Every. Single. Day.

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Hola, Barcelona, HERE I COME!!!
cool - m. scott morton
I met Morton at - of all places - a business networking event organized by our alma mater this past week. He mentioned he lived in Harvard [the town], one of those places I have grand plans to bike to ever since discovering 1. a “Harvard to Harvard” ride on mapmyride.com, and 2. the Harvard General Store. Morton mentioned he designs and constructs furniture for a living and my interest piqued, I asked for a card.

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So glad I did. Because, woah. His stuff is amazingly beautiful. I rode to RSC the next day to spread the love and Morton and his adorable son even stopped by yesterday.

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And yes, when I get the legs to ride to Harvard, I’m swinging by his shop!
Enjoy the race/bike/furniture porn, and have a great weekend, guys!

[look] what's new

[Disclaimer: this is not nearly as interesting or insightful as Competitive Cyclist's What's New. You've been forewarned.]
A few days ago, on one of my near-daily treks to Ride.Studio.Cafe, I walked in to see Dave S., Dave N., and Sal huddled around an iPad the far end of the coffee bar. Clearly excited about something, they slid the iPad over to show me their new gagdet: a Square. A small, white credit card reader that can attach to an iPad, iPhone, or Android phone, they had just finished putting the cafe menu into the iPad.
“Look, look,” Sal said, coming around to my side of the coffee bar, his hand hovering over the iPad.
“Oh yeah, I’ve seen those before,” I said.

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Their faces fell in unison, the momentary disappointment then replaced by outrage and accusations that I was jaded. They went so far as to make me re-enact the scene again, but this time - to their satisfaction - I feigned shock, surprise, and awe.
Not usually being in the know, I’m usually on the other end of the equation. This might sound ironic given that I seem to be on the Internet ALL THE TIME but I have remained fairly oblivious even with an iPod, phone, laptop, and Kindle. So the following might not be new for you, but hey we can all pretend, right?
ifixbyx

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I’ve known Mark, the mastermind behind ifixbyx, for a few years now and keep promising to visit his new space [but have yet to do so]. I understand how foolish this is because Mark gets to play around with Di2 on a regular basis. Yes, Di2. I love Di2. I think Di2 was made specifically for me, although I've actually never used it. Anyway, as I could go on and on about Di2, even if you don't have a fetish for Japanese electronic groups, if you’re looking for a top-notch mechanic in the NYC area, you can’t go wrong with Mark. He’s recently gotten a new website courtesy of Gage+Desoto, and it is pro. I like. A lot.
NYC Velo

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My favorite store in the city, NYC Velo is celebrating its sixth birthday next Sunday [party here!]. They’ve also gotten a website facelift for the upcoming season, as well as some great new hires. If you see a short Asian girl trying on every pair of Oakleys they have, that will probably be me. And yes, my nonexistent nose and I look amazing in Jawbones.
Jens Voigt’s Army

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I love it.
H-Zontal Bike


...I don't love it. For so many reasons. [Thanks, Josh.]
I know, I know. You're all blown away. I knew you would be.

getting comfortable with discomfort

The situation unfolded when attempts at coherent thought through the written word were thwarted due to a computer so old it has a battery life that defies the natural progression of time. Shutting down within minutes, the computer simultaneously tempted me to kill it for good while forcing me to appreciate the irony of mere minutes of “life.” The swiftness with which my screen blackened was unexpected and I stared dumbly at the forced hiatus for several seconds before turning my attention to a gadget that had a stronger ability to cling to its internal stores of electricity.
It was then that he turned to me. “What are you reading?”

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The answer should have been easy enough: state the title of the book and return with pointed disinterest to my cup of unremarkable coffee and Kindle. But I fumbled, unable to recall completely the title of the book, and sensing some sort of obligation to be polite, asked him what he was reading. As he talked about “spiritual materialism,” drawing out the conversation further, my mind was racing. In response, I also, most inconveniently, started sweating. The back of my neck and armpits became moist and my face got hot. My panicked response must have appeared to be active blushing, and the perpetuation of this misinterpertation made me sweat even more. My body language obviously wasn’t working, resulting only in the stranger taking the liberty to touch my arm and make depressingly predictable jokes. Where were my headphones? I was internally screaming. Where was whatever gadget/thing/tool that would allow me to get back to my book in a disinsterested “no, thank you”? Where the hell did that thing disappear to?
There is no such thing, of course, but it would have been handy. Unable to extract myself from the situation I was in part respnsible for, I started to pack my things away with deliberation, hesitant to leave and hoping he would get the point. I glanced around for help, sending out telepathic messages to everyone I knew to call me so I could excuse myself. The conversation, according to my fantasy, would start with an enthusiastic “hey babe, I was waiting for you to call...”, no matter who was on the other end. Explanations could come later; they’ll understand. As my phone remained dead and blank, I caught the eye of the guy across the communal table from me, and nearly mouthed “help me,” while channeling “SOS” messages into his retinas. He didn’t get it, as he glanced away, either in disbelief that I was blushing at this guy who had pecs bigger than my boobs or that I was desperate enough to engage this amateur bodybuilder in conversation. My legs started to sweat.
I tried to tell myself it was from my ride earlier, some sort of delayed reaction to doing more miles than I’m used to. But it was simple discomfort morphed into panic, a reaction to an awkward situation which I failed to take in stride, ultimately resulting in my hasty departure and vows never to return to that particular Starbucks. At least for the next few days.

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This sometimes immature desire to escape uncomfortable situations is, I think, hardwired into most of us. It’s part of our self-preservation when gut instinct tells you to get the hell out of wherever you are. A healthy, Paleolithic anticipation of “something here is very fucked.” Social concepts like being polite and not being a jerk have muted the warning, but it still kicks in when a Steve Buscemi lookalike starts rubbing himself against you at a dive bar. It’s helpful in that way, and thus, can be a good thing. But when efforts to avoid discomfort have you grappling your bike as if in a bar room brawl [but with an inanimate object], something might be very wrong.
It’s not that riding a bike should always be comfortable. Anyone who has done over 5 miles will know that it can hurt, and that that pain tends to stay consistent as more miles are logged. And it’s not just the physical discomfort of pain that’s involved when you take up this peculiar sport of balancing on two wheels for slightly ridiculous amounts of time. There are clipless pedals to get used to, aggressive geometry to adjust to, and if you’re tall enough, speed quiver to hold down with your knees. We voluntarily sit on fabricated contraptions that can throw you into traffic, fold over onto itself at the introduction of a pothole at high speed, or simply fail to function. Hate all you want on triathletes, but given all of the above, you have to admit that it takes a special kind of person to insist on riding aerobars in open traffic.

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But it’s what makes cycling so unique. That loss of control; that conscious stifling of a natural aversion to potentially life-threatening activities. The latter’s not hard. Once you figure out that you like cycling, your mind usually rationalizes it for you: “I could die, but potential for fun is clearly outweighing that small, almost insignificant risk.” The former, well, that’s the harder one. Because “learning how to be comfortable on a bike,” doesn’t mean positioning, posture, or learning how to turn without your mind screaming “TOE OVERLAP!!!” It’s learning how to get comfortable with the instability of the whole thing. It’s relaxing and letting go, and sometimes saying “well, fuck it, my face is going to rub pavement today.” Because in a lot of ways, that discomfort is always going to be there, the one that will rear its goose-bumpy head every so often, no matter how pro you might be.
My lack of claim to anything pro [other than my bike, perhaps] means I get to experience this discomfort regularly. Tight swerving around potholes or turning right [or, okay, turning at all] sometimes induce a little mental hyperventilation. This is in part due to some psychological extrapolation in which I’ve convinced myself that I’m actually 10 feet higher off the ground when I’m on a bicycle. Turning means that I will surely topple over and crush that rear derailleur that I can’t afford to replace. Neither make sense, but it adds a lot to my fear of falling.

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But even so, the simple realization that it can be a rough ride have peeled back my grip on the handlebars. I try to keep my shoulders down and both feet clipped in when making quick turns. Hands rest more easily on the bars now, and when I’m brave, I’ll ride with my forearms on the bars, fingers dangling towards my cables. I’ve put my faith and the integrity of my face into my bike, and try not to fight it so much. It can be an awkward dance, but I think I might be stepping on my partner’s pedals a little less.
Still, there’s a lot to learn. On a ride a few days ago, I caught up with a guy in fluorescent yellow, dressed in full-length tights in the nearly 60F weather. He veered near the double yellow line on the narrow road at one point, and put a glove to his front tire, then the back. “There’s a lot of glass over there,” he said, looking over to where I was riding. I wasn’t sure if he was just showing off, but secretly impressed, I attached myself to his wheel when he was done. He spun a bit awkwardly in his smallest gear as the chip seal shook our bikes, pushing up the small inclines. In my big ring and desperately trying not to let our wheels overlap, I glanced up...to see his saddlebag swinging under his saddle like an extra scrotum. I bit my lip as it swayed and bobbed and bounced.
A new kind of discomfort, but maybe not an unwelcome one.

the weekend in pictures: ride.studio.cafe

Since first visiting Ride.Studio.Cafe last fall, I've been meaning to go back. A big, bright space with racks of Rapha, there are enough Cervelos and Sevens to make you reconsider your conviction that there is such a thing as owning too many bikes. A big coffee bar sits on the side of the shop, a wide table perfect for hanging out and resting tired legs while sipping good coffee or espresso. Spacious but cozy, with good company both behind and outside the coffee bar, I promised Rob I would come back as soon as I got my IF together.
But things like "winter," "cold," and "being lazy," kept getting in the way, even with all the events they were having. Finally, with the weather cooperating and all day events scheduled for their first anniversary on Saturday, I grabbed my IF and made my first geared trip to Lexington.
Lucky enough to catch the club riders after their ride, I walked into a packed shop, filled with a number of super domestiques in Ride.Studio.Cafe/Rapha kits. I was a sweaty mess, but that didn't keep a few nice people from pointing at my chest and asking about NYC Velo.

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Drawn to the coffee bar [against my better judgment, as afternoon coffee tends to make me bitchy], I wussed out with a San Pellegrino. Then found out that espresso, De La Paz's Perfume V, was free that day. Sal promised it was interesting, and really good, with that intense look that baristas and coffee aficionados use to tell you you're going to miss out on a once-in-a-lifetime opportunity if you decline. And because I am a pushover, I said yes.
There was half a cup of Stumptown coffee too. Because, hey, last time I visited I drank an Americano and three shots of espresso so why not keep up the trend of consuming stupid amounts of coffee whenever I'm there?

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Amped up like a paranoid squirrel, I left before the party [plus beer] got underway. Still, I've found a new favorite place to hang out. I'll be back soon!

copying fantasy

Back in high school, I was lucky enough to have friends who had much better taste in music than I. The Sex Pistols, Propagandhi, The Clash, [old school] Rancid. I would like to say that we exchanged CDs, but in reality, I was exclusively borrowing.
The music and [life]style came at a point when, much to my disappointment, copying my sister’s style - which required legs the size of my arms - was no longer physically feasible. It wouldn’t have been so bad, maybe, if my sister hadn’t been so cool to begin with. But she had friends, snuck out of school to smoke, and stayed out late, drinking. I hated the chemical smell of stale cigarettes that lingered in her closets, yet envied this social life of hers. And as most of my time was spent either staring at or falling asleep on books, plagarizing her style had been the easy option.
But stuck in the same high school as my sister for two years, I was left to conjure up both an existence outside of her shadow and the confidence to express myself [or else endure daily beatings]. To assume the risk of exhibiting my own personality. A confusing and intimidating task, mostly because since there was no longer an older sibling serving as an experiment as to what was considered cool or tasteful, I hardly knew where to start. But in the struggle to pin down my own identity while walking the gauntlet that is high school, there was the music. Those borrowed CDs that turned into a decent purchased-by-myself collection, a love for a good bass line, and a grasp of something that was distinctively me. Something that I loved enough to lay out for the school populace to judge.

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This love ultimately manifested itself into wearing lots of black, including a dog collar. Not a clichéd cheap leather one with studs, but one made of light woven nylon with a proper silver buckle. It was actually made for dogs, not teenagers, but that didn’t deter my somewhat questionable accessorizing. Blind to any canine implications, I wore it religiously, and in the small world that was my high school, I considered it a trademark of sorts. Never mind that gutter punks had patented the look about a decade before I was born. To me it was a declaration of self.
I should have known better, but perhaps the anchoring of personality to accessory was the reason why it chafed so much when a classmate suddenly started to do the same. Because for me, back then, that dog collar was akin to a distinctive shade of lipstick, a signature cologne, or a one-off team kit designed for you and your buddies. It was more than a simple fashion statement, which made the appropriation, done so casually, hurt even more. In hindsight, this classmate was probably acting under the misperception that I was actually cool, but all I could feel was resentment at her for reducing all those hours picking at a bass guitar and digging for music into a mere accessory. Open to be acquired by all.

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Since then, I’ve been told that copying is the highest form of flattery, but depending on the day, I think that this statement is pure bullshit, somewhat true, or something in between. On one end of the spectrum, when the imitation is subtle and flavored with a twist of originality, it’s a nod towards an inspiration, or a shy glance at aspiration. An acknowledgment that you thought something was cool enough to risk duplication. At the other end - oftentimes coinciding with “copying” becoming “counterfeiting” and thus pissing off enough wealthy and/or litigious individuals - it dilutes authenticity into what David Sedaris once defined as “fantasy.” Something that lets you “skip the degradation and head straight to the top.”
I remembered that dog collar recently, upon Josh’s discovery of Torm, Pistard, and Road Holland. The two-tone jerseys, the distinctive slanted back pockets with a zipper on the outside of the right side pocket, sometimes coupled with photographs of men climbing out of the saddle in said jerseys on seemingly deserted roads at high altitudes. It is the stuff of [a Rapha-filled] fantasy made real, the higher-end version of the classmate who came in one day with a black dog collar of her own.

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To be honest, it’s not the act of copying itself [the law, if not in the US, at least in the EU can take care of that], that bothers me the most in this original/copy debate, but that the copying signifies giving up. Throwing energy into everything but the very thing that’s important: the products themselves. It’s premature ejaculation taken to a corporate level where a business is incorporated, people are hired, materials prepared...only to result in something that isn’t quite unique. If the aforementioned companies were off-the-back-of-a-truck operations, set up and dismantled with the shady stealth characteristic of a Chinese counterfeit enterprise, I would almost be more okay with it. At least, then, the provision of a copy would be in acknowledgment of the luxury status of the original and no one would be attempting to claim ownership [just a few quick bucks, with the understanding by both parties that the product is a mere imitation with no brand or status of its own]. As it’s set up now, though, there’s almost too much [albeit commendable] hard work and courting of financial investment to excuse the lack of originality. It’s a promised good time with a cute guy who spends the evening trying to be something he’s not, because he has somehow convinced himself that that’s what you’re looking for.
The thing is, if I want Rapha, I know exactly where to find him. And if I’m not knocking on his door, I’m looking for something different. Something fresh.
Because, as I eventually discovered, different can sometimes be predictable [and the predictable, different]. I held onto that dog collar until then, fearful in trying the unfamiliar while telling myself that nothing else could truly represent me. Variety - colors, shoes with heels, belts without studs - gradually made their way into my wardrobe and brought with them the challenge of presenting myself to the world without easily categorized visual aids. To be [as a South Park episode once put it] nonconformist by not being nonconformist. It’s a route that can be riddled with fashion faux pas, but like a long, hard ride, there’s also something exciting in having the confidence to try. The knowledge that you invested enough time, thought, and frustration into it to make it solely yours might not make you an overnight success, but it alleviates the pain of those prolonged periods of degradation.
Ironically, the interest in attempting to be fashionably interesting has given way to my current lazy outfits; a result, I tell myself, of my inability to think about properly dressing myself after a ride. But like those who choose to confine themselves to imitation, it’s a shame. It’s not like I’ve lost my closet full of clothes that I could be mixing and matching. I’m just letting the opportunity slip by.